<urlset
    xmlns="http://www.sitemaps.org/schemas/sitemap/0.9"
    xmlns:image="http://www.google.com/schemas/sitemap-image/1.1"
    xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
    xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9
        http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd">

            <url>
                        <loc>https://louisharnettomeara.com/events</loc>
            
            
            <lastmod>2026-10-03T14:29:47+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R3158499699654310450895149107845/images-2.jpeg</image:loc>
                                            <image:caption>Hosting an In Search of Lost Time reading group for the Proust Center of New York at Jefferson Market Library, NYPL. Currently reading Volume II. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E3158626307517201294948158704261/unnameable.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G3158643910322733632287788272261/BOOKENDS-Banner-2.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X3159748714085720018257103587973/Proust.jpeg</image:loc>
                                            <image:caption>Hosting an In Search of Lost Time reading group for the Proust Center of New York at Jefferson Market Library, NYPL. Currently reading Volume II. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N3161601458113519738030605765253/Behind-the-Pen-Sep-24-Tuesday--September-24--2024Unnameable-Books--615-Vanderbilt-Avenue--Brooklyn-Share-this-event-Join-Writing-Fellow-Nina-Ferraz--Editorial-Fellows-Louis-Harnett-O-Meara-and-Ma.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://louisharnettomeara.com/editing</loc>
            
            
            <lastmod>2026-10-03T14:29:47+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B3158404002096573462326014413445/9781734590708_FC.jpg</image:loc>
                                            <image:caption>For the A Public Space: Soliciting submissions, before selecting and then editing Matthew Keating’s story Education for the APS Editorial Fellowship. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V3158404904400613083755022158469/Girl_with_Golden_Eyes_cvr_jpg.webp</image:loc>
                                            <image:caption>For NYRB Classics: Proofreading a reissued translation of Honoré de Balzac’s Girl With the Golden Eyes. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U3158408178218070821283985656453/Duck1-front.png</image:loc>
                                            <image:caption>For Duck: Consulting Editor for inaugral issue, featuring Jonathan Franzen, Andrea Cohen, Anne Waldman, Robert Glück, Ottessa Moshfegh, and many more. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y3158412036446827558005253900933/s-l1200-3.jpg</image:loc>
                                            <image:caption>For David Shields (Vintage): Proofreading and fact checking Reality Hunger ahead of the next reissue. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K3158413015009707180149548026501/DShields_FailureIstheOnlySubject_Cover_front.webp</image:loc>
                                            <image:caption>For David Shields (Autofocus): Proofreading and fact checking an autobiographical essay collection on documentary film. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N3158418549623225103373738478213/On_Writers_and_Writing.jpeg</image:loc>
                                            <image:caption>For NYRB Classics: Proofreading a collection of essays on writers and writing by Henry James. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K3158423427421973538095634090629/Miaow.jpeg</image:loc>
                                            <image:caption>For NYRB Classics: Copyediting Margaret Jull Costa’s new translation of Spain’s 19th century great, Benito Pérez Galdós. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K3158584595407460429583272675973/mujica-2.webp</image:loc>
                                            <image:caption>For NYRB Classics: Proofreading a reissued translation of a forgotten Argentinian classic. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V3158592367795501934513169664645/A_Fortunate_Man.jpeg</image:loc>
                                            <image:caption>For NYRB Classics: Proofreading a reissued translation of the Nobel Prize-winning Danish writer Henrik Pontoppidan. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W3158628428634515354514660821637/ArchivistScissors.png</image:loc>
                                            <image:caption>For Staircase Books: Copyediting transcendental poet Anne Waldman’s poetry collection. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A3160205960282583387890705271429/Screenshot-2026-10-01-at-15.31.43.png</image:loc>
                                            <image:caption>For Staircase Books: Copyediting Damion Searls’s translation of poems by Kurt Schwitters. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H3160210830942441866087004408453/Screenshot-2026-10-01-at-15.36.07.png</image:loc>
                                            <image:caption>For Staircase Books: Copyediting a new poetry chapbook by Daniel Tobin. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W3160317874539056271190051555973/malheur_enterprise_013_1.webp</image:loc>
                                            <image:caption>For Monocle: Editing a series of reports on newspapers in the world’s most remote regions. </image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://louisharnettomeara.com/criticism</loc>
            
            
            <lastmod>2026-10-03T14:29:47+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V3158379858149379563874220018309/TLS.jpg</image:loc>
                                            <image:caption>For The London Magazine: Considering the Fifth Avenue Guggenheim’s exhibition on Orphism and early abstract painting. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W3158380390706880971868975172229/TLS.jpg</image:loc>
                                            <image:caption>For the Times Literary Supplement: Considering new translations of two novellas by Henrik Pontoppidan, Denmark’s early modernist master. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z3158382341542300487022606322309/Monumental-Scale_07.jpeg</image:loc>
                                            <image:caption>For Cereal magazine: How Henry Moore made his name by the 1960s and whether he deserved to keep it. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W3158386102741183396031633066629/Literary-posters-copy.jpg</image:loc>
                                            <image:caption>For The London Magazine: The art of the literary poster and how it helped form an American visual culture. A Washington Review of Books pick of the week.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F3158387339964308419731259951749/2000.10_ph_web-1.jpg</image:loc>
                                            <image:caption>For The London Magazine: Considering the Fifth Avenue Guggenheim’s exhibition on Orphism and early abstract painting. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E3158388337342866997059296725637/Affinities_final.webp</image:loc>
                                            <image:caption>For Essays in Criticism: Considering Brian Dillon’s magic tricks and when the wonder starts to wear. </image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://louisharnettomeara.com/reporting</loc>
            
            
            <lastmod>2026-10-03T14:29:46+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U3158306660177622999213739117189/DSCF8366.JPG</image:loc>
                                            <image:caption>For Witness History on the BBC World Service: The unlikely success of Turkish Star Wars. A BBC Radio 4 Pick of the Week. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S3158316174159665991209823275653/Turkish-Square.jpg</image:loc>
                                            <image:caption>For Witness History on the BBC World Service: The unlikely success of Turkish Star Wars. A BBC Radio 4 Pick of the Week. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H3158316794394541981546077260421/square-w-logo.png</image:loc>
                                            <image:caption>For Witness History on the BBC World Service: How two brothers wrote an all-time classic, Casablanca. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X3158316880854431455022745684613/Artboard-1.jpg</image:loc>
                                            <image:caption>For Witness History on the BBC World Service: On Nigeria’s festival of African arts in ‘77. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O3158325256506344402476109171333/Oaxaca-Weddings.jpeg</image:loc>
                                            <image:caption>For From Our Own Correspondent on BBC Radio 4: Cultural customs in Oaxaca and the city’s destination weddings. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K3158331250978745339205711858309/IMG_9491-2.jpeg</image:loc>
                                            <image:caption>For From Our Own Correspondent on BBC Radio 4: Disputes between loggers an eco-activists on Vancouver Island. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B3158371524758957289289439283845/GettyImages-1320528711.jpeg</image:loc>
                                            <image:caption>For Times Radio’s On the Ground: In conversation with Mariella Frostrup about the Mexican president’s plebiscites. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M3158967817052412035705095096965/PlusMagazine_AntonyGormley_1.jpeg</image:loc>
                                            <image:caption>For Monocle magazine: British sculptor Antony Gormley speaks about his practice and the team behind his workshop. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K3158974517979770763289396021893/IMG_6022.jpeg</image:loc>
                                            <image:caption>For Monocle magazine: A new batch of Zeppelin airships joins Goodyear’s European fleet. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B3163057017399461953900575754885/c7ff9d_71042c6ee6ee42998f39b364c6c4ba51mv2.jpeg</image:loc>
                                            <image:caption>For Monocle magazine: An essay on local papers and how smalltown news might be revived if people were willing to try. </image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://louisharnettomeara.com/fiction</loc>
            
            
            <lastmod>2026-10-03T14:29:46+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I3157041602981827408128935234181/LifeDrawing_082626-pages.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A3157045368755502847417930779269/LifeDrawing_082626-pages.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F3157480317358233400262468864645/Duck1-front.png</image:loc>
                                            <image:caption>Life Drawing published in the inaugral issue of Duck alongside Jonathan Franzen, Andrea Cohen, Ottessa Moshfegh and others. &lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P3157482308057066858702441056901/V30.webp</image:loc>
                                            <image:caption>Old Friends published as Featured Fiction in issue 30 of Arrowsmith Journal, available online. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J3157514796684090404849261775493/Peripheries.avif</image:loc>
                                            <image:caption>The Salesman published in Peripheries no. 6 alongside Alice Oswald, Victoria Chang, Tracy K. Smith and others. </image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://louisharnettomeara.com</loc>
            
            
            <lastmod>2026-10-03T14:29:46+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N3157449143836488357017001953925/fa45760a-3463-4fbb-b3ce-b4e8f898ee73.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M3158296745181810588845712378501/fa45760a-3463-4fbb-b3ce-b4e8f898ee73.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://louisharnettomeara.com/example-project-set</loc>
            
            
            <lastmod>2026-10-01T19:19:04+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://louisharnettomeara.com/project-header</loc>
            
            
            <lastmod>2026-10-01T19:19:04+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://louisharnettomeara.com/example-project</loc>
            
            
            <lastmod>2026-10-01T19:19:04+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2718489299134310140265516957991/horizontal-small.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2718500376385679658777552814375/horizontal_text.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://louisharnettomeara.com/example-project-text</loc>
            
            
            <lastmod>2026-10-01T19:19:04+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
    
</urlset>
